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CAMERON SMITH

Composition, Sound and Video Design

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A man standing on a raised platform looks down to a woman standing on a lower platform. A large, curved projected image of blue clouds is visible in the background, with rain falling in front onto the stage. The man is lit in blue, the woman much warmer.

A large projected image of the text “DRACULA” in red on a black wall. Two entrances lined with white light are on either side. Hung above is a crucifix light box that is off.

A woman standing on a raised platform. A large projected image of a repeated live vlog is visible in the background. The woman is lit in red.

A woman in a black dress and a man in a grey suit stand at a 1950s microphone. Behind them are a man seated at a piano, a man standing, playing the bass and a man sitting at a drum kit, all in suits. A large projected image of the poster for this show is visible in the background. The two in the foreground are lit in cold white, the others are in shadow.

Two men in rags standing on buckets, to the side an old wooden ladder. Behind them a large hung moon, a large projected image of golden lines and particles projected on to the actors and and the moon.

Five bodies standing in a line holding assorted items. The one in the middle is shining a torch. They are silhouetted by a large white cloth hung behind. The cloth is lit in purple.

Three men and a woman dressed as carnival “laughing clowns” seated behind a red and yellow canvas. A large, projected image of a red and yellow striped circus tent is visible in the background. They are all lit in cold white.

A woman in a black suit sitting in a white chair on a raised white platform, looking out. A large digital screen displaying the live feed of the woman is visible in the background. The woman is lit in warm white.

A man in a blue suit and red tie, seated in a wooden office chair, next to a wooden cabinet. He is lit in warm white.

Two men a walking through a smokey street, littered with street lamps. The first with glasses and a cane the second in a bowler hat. Two camera operators film the movement. Both men a lit mostly by the warm white glow of the lamps.

Two men in black crocodile-skin leotards lift a woman in a blue ruffled leotard into the air as if she were flying. Above them, a large mirror angled to reflect a top-down view towards the camera. They are lit in cool white and blue.

A wide shot of City Recital Hall. On stage, a conductor leads a six-piece orchestra and on raised platforms behind them, three opera singers. A large projected image of red roses is visible in the background. They are lit in warm orange.

A man and two women stand in the corner of a white square, huddle around a phone. Hung above, a digital screen cube displaying the live feed from that phone's camera. They are all lit in cold white.

Three performers dressed as politicians seated on stools. On the left, a man in a dark blue suit and grey wig, the centre, a man in brown pants, purple button up and a wide brim hat, the right, a woman in a black one-piece and a blonde curly wig. A large projected image of the Follies poster with Robert Menzies’s face swapped in is visible in the background. They are lit in cool white.

A man in a red puffer jacket, pointing to something off-camera. A long, thin digital screen displaying a star field is visible in the background. He is lit in cold white.

Two men and a woman holding papers standing in a living room looking off into the distance, a clarinet player seated on stairs upstage. A large, projected image of a mountain range at sunrise is visible in the background. The three standing are lit in cold white, the clarinet player is a little shadowed.

Four performers dancing in pairs. A large projected image of blue and pink abstract smoke is visible on the crumpled surface behind them. Eucalyptus tree branches hang down from above. They are lit in cool white.

A man in clown makeup peeking from behind a wooden flat. He is lit in warm white.

A singer dressed in a blue dress singing into a microphone on the edge of a small platform. A large digital screen displaying pink and blue abstract clouds is visible in the background. She is lit in pink and blue.

A man in cat face paint and a tiger onesie, screaming at something off-camera. He is lit in warm white.

A large, curved projected image of the text “LONDON 1988” on black with a bright blue lightning strike moving horizontally across the surface and intertwining with the text.

A woman laying on a coffin, screaming, standing above her, a man wielding a knife. On either side on the floor, two women holding microphones, looking at each other. Above, a hung light box lit with red. A large projected image of the faces of a man and woman screaming and laughing with white glitches is visible in the background. The man and woman on the coffin are lit in cold white, the two woman on the floor are in shadow.

Five square digital screens in an ascending line display a long stretching staircase. Two men standing at the foot of this staircase are about to walk up. A messy lab table is barely visible in the shadows underneath. They are both lit in cold white.

Eighteen performers spread across a stage, looking back at another performer lifted above the crowd. Upstage, a white door. They are lit in orange and pink.

A man wearing a large backpack and dragging a suitcase. A large projected image of vintage train footage is visible in the background. The man is lit in warm white.

© 2024 Cameron B Smith Design

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