CAMERON SMITH
Composition, Sound and Video Design
CAMERON SMITH
Composition, Sound and Video Design
Cadaver Synod
Written By Ruby Blinkhorn
KXT x NIDA, New Writers New Works Festival
KXT on Broadway, May 2026
With Nat Jobe
Luke Fewster
Mark Langham
Leon Walshe
Diego Retamales
Yasna Delo
Direction Mathew Lee
Set & Costume Design Alice Vance
Lighting Design Frankie Clarke
Composition & Sound Design Cameron Smith
In 897 AD, Rome, newly elected Pope Stephen is haunted by the legacy of his predecessor, Formosus, whose corrupt papacy decimated the Church’s public image. Amidst pressures from the King of Italy, a suspicious number of cardinals ‘falling’ down the Vatican stairs, and the antics of horny priests, Pope Stephen faces an impossible dilemma.
Either bring the corpse of Formosus to trial posthumously and face eternal damnation, or stay faithful and risk political assassination. As Stephen’s morality wavers, so does his grip on reality, his descent into madness resulting in a bloody crescendo of chaos, betrayal, and several dead pigeons.
Like all good parables, some of this actually happened.
This new play by Ruby Blinkhorn is bold, juicy, and blasphemous, reckoning with the crumbling of institutions - both religious and political. It’s funny, sexy, and cutting… the church would absolutely hate it.

Theatre Thoughts
"Cameron Smith‘s organic sound design creates moments when you can truly feel the expansiveness of the Vatican in the intimate KXT space."
Faith in Theatres
"The razor‑sharp sound and lighting design amplifies that tension. It snaps between the divine and the everyday with jarring precision"
Suzy Goes See
"Cameron Smith’s sound design delivers the production’s most dramatic beats with visceral impact"
Sydney Dramaturgical ★ ★ ★ ★
"..the evocative choral motifs of Cameron Smith's gloriously melodramatic sound design."










